An Interview with Author Mari Le Glatin-Keis

Mari's Costa Rica Sketchbook

After recently reading the new book The Art of Travel With a Sketchbook I wanted to know more about the author, Mari Le Glatin-Keis. I was fortunate to be able to correspond with her by both email and phone, and discovered that she is very enthusiastic about the joys of travel sketching.


Martha: What kind of sketching do you for your own enjoyment?

Mari: Sketching is amazing, isn’t it? I find myself sketching whenever I travel; everything I see stimulates me to record. My sketchbook pages are all I have to carry memories, as I don’t take photographs. At home, I don’t sketch every day but I always carry a small sketchbook and pencil on my walks and bicycle rides. Even if I do not use them I like to have them on hand. When I don’t have my sketchbook, I sketch with my eyes; I literally use my eyes as if they were pens or brushes.

Martha: What are your preferred sketching tools?
Mari: The more I sketch, the less I seem to need and the smaller my sketchbooks become. These days I use:

  • 6 x 8 inch Pentalic sketchbook, not too small, not too big
  • 0.7 mechanical pencil
  • small watercolor set, a kid’s set or whatever is on hand
  • 2 brushes, one big and one small
  • a few color pencils and pastels
  • glue stick

Voila: the simpler, the lighter, the better!

Martha: You travel quite a bit then?
Mari’s Bretagne
(full page)
Mari: Yes, I grew up in France and each year I spend time there, here in the US, and also in Mexico. My travel workshops give me the opportunity to keep a balance between continents but I feel at home wherever I happen to be. I am living primarily in Oregon right now and every time I come back to Corvallis I jump on my bike and ride towards the coastal range with a smile on my face. I am here right now and it is beautiful, even as we move into winter.

I have always been a sketcher and a traveler. I met my husband Dick in Ecuador 30 years ago when I was making my way through South America sketching plants and flowers. Back then sketching was already my life and expression, my “raison d’être” as I moved deep through the Andes and the Amazon, amongst the local people. Sadly, I later lost those four years of recordings in a shipwreck in 1978 (another long story!) and that was that. It was my first big lesson in “letting go” and about the ephemeral side of life.

Martha: What prompted you to write The Art of Travel With a Sketchbook?
Mari’s Estuary

(full page)
Mari: In years of leading sketching workshops I have seen people of all ages, with no art training, becoming bold, confident and expressive. I hoped to share what I have witnessed and encourage more people to sketch.

I wanted to tell people how sketching can save your life as it saved mine! Sketchbooks are more valuable than any finished piece to be hung on a wall as they contain your first emotions and your own interpretation of a moment or a situation. When sketching we are open to the world outside us, we forget about pains and worries, and are totally in the moment.

I also wanted to encourage people to have a deeper travel experience by observing cultural details and local people more closely. In many countries traveling with a sketchbook will set you apart from a regular tourist. Often I remind my participants that if traveling with a sketchbook is about recording life as it is, wherever we are, then we should allow our pages to reflect what we see. For example, when I look at my many sketchbooks from Oaxaca in the eight years I went there, I can see what was coming. The tension, the increasing contrast between the rich and the poor, it is all there in my pages.

Martha: How did you go about publishing the book?
Mari’s Summer
Lake Sketchbook

(full page)
Mari: I met my publisher Suzanne McNeil in one of my workshops in Oaxaca. She was enthusiastic about the book and upon coming back from my travels I had a contract waiting for me.

Although I have created other books, this was the first time I had to write the full text as well as illustrate. This was a new challenge, especially since English is not my first language. Making the entire book took a year and a half of intense work. I even created pages in my sleep!

But the real hardship came when the designer asked me put my mockup on the computer. Until then, when laying out pages for a book I manually cut and pasted the pages and I loved that process. Layout on the computer was very different. A friend and workshop participant, Dianne Roth, saved me when she volunteered to help me transfer my hard copy onto the computer.

Martha: You’ve included quite a bit of student work in the book?
Mari’s Bretagne

(full page)
Mari: Yes, I always knew that if I was going to make a book on sketching I had to give my participants a voice. Only they could illustrate the approach. Over 20 participants volunteered to share their sketchbook pages and write about their experiences.

In workshops I see people re-discovering the “child” in themselves and playing, and I always feel privileged to witness their transformation. I am totally amazed by their spontaneity as, without any hesitation, they lay down the most innocent lines in their sketchbooks. I often envy my participants for their pure and spontaneous renderings: I am still trying to let go of the heavy training I received in art school!

Martha: What other books have you done?
Mari's Oregon Sketchbook
(full page)
Mari: In art school I studied printmaking and I have always wanted to be a book illustrator. I love to illustrate people’s lives and words. In 1997, a couple of weeks after returning from a two year stay in Provence with my family, Margaret Anderson asked me to illustrate her story Children of Summer, based on the insect world of Jean Henri Fabre. I loved the whole process, working with Margaret and drawing the fascinating world of insects.

Meanwhile, I was sending my sketchbooks to French publishers. In 1999, Equinoxe offered me a contract to publish my travel sketchbooks: a dream come true! Four sketchbooks that I had already created, with no publication in mind at the time, were published as books. A fifth sketchbook, Balades a travers l’Armor et l’Argoat, was a new assignment.

I also created a daybook, Mon Jardin Jour après Jour, in 2001. Day after day I went out in my small garden here in Oregon, a sketchbook in one hand and a pencil in the other, and I recorded all the changes I saw throughout the year. I loved the process of creating that book!

Martha: Reproductions of travel sketchbooks are especially popular in Europe then?
Mari’s Mexico

(full page)
Mari: In Europe the market is flourishing, and publishers are eager to meet traveler-artists to publish their sketchbooks. The sketchbooks describe not only the beauty of the places they travel through but also the social and political climate, and are most often about far away places. These books are used quite a bit in teaching as well. The focus though is on artists who are of professional standing and their work is fairly polished. It’s not something that non-artists are encouraged to try.

It was seeing more and more of these “beautiful” art travel books on the shelves, and remembering the real miracle of the expression taking place over and over right in front of my eyes during workshops that motivated me to write my new book. I knew I had to tell people that if they wanted to sketch too, they could!

Martha: How do you teach Travel Sketching?
Mari’s Toulouse
(full page)
Mari: I don’t teach; I encourage people to take visual notes. I give them tips to help them launch into this great adventure of recording whatever they see wherever they are, either at home or traveling.

You do not learn “how to” sketch, you sketch. In travel sketching there is no right or wrong, no rules or recipes. Words, lines, colors, collage: use anything you have on hand to express yourself. In sketching it seems like the less technique you know the better you are. Many of us have to gain confidence in ourselves before learning skills. It is all about trusting. If we put our expectations and our critical mind aside, beauty will come through.

Martha: What workshops are you planning for 2008?
Mari’s Provence
(full page)
Mari: Next year I will be leading workshops in the US, France and Mexico. All of my workshops take place in visually and culturally stimulating environments. For 5, 8 or 10 days, my participants can totally relax, play and dedicate their time to exploring the wonders of sketching.

I’ve created three workshops in the Pacific Northwest for next year, each in a unique environment. Wherever we are there is culture and beauty to record in our sketchbooks and I am really happy to develop such workshops here in the US.

Nevertheless, I keep going back to the two regions of France I know best: Brittany, where I grew up, and Provence, where I lived from 1992-94. In 2009, I will add Le Lot to my destinations. It is a part of France that I have been discovering over the years and I feel I know enough of the region now to share its wonders with my participants.

I am also about to travel to Mexico to make final plans for a workshop there in 2008 as well.

Each trip is not only a sketching workshop but a voyage through cultures and peoples on which I am able share my friends, food and culture with my participants.

In her book’s introduction Mari says: “This book is a humble statement with no pretensions, written from my heart”. Her enthusiasm for sketching and sincere desire to share it with others is contagious, and I can see that this book was done as a Labor of Love. It was a true joy to talk with Mari and I hope I”ll get to attend one of those workshops soon!

For More Information:
   Book Review: The Art of Travel With a Sketchbook
   About Mari Le Glatin-Keis
   Mari’s 2008 Workshops

14 Responses to “An Interview with Author Mari Le Glatin-Keis”

  1. carmel Says:

    Shame on me! I’ve only just picked up on this interview. “Shame” because I’m an old friend of Marie and Dick, but always assume I don’t have to check the website since I keep in touch by other means; but here is Marie as I know her, full of enthusiasm and ‘can do’; and producing the best of books, ‘mine de rien’ to use a French expression. (Meaning ‘just like that!’, without apparent effort.) But I know what an effort it really is to turn out a book – especially one like this which is more about the visual than the verbal. While Marie takes a break from the sketching trips for 2009, take the opportunity to browse her book(s), in readyness for 2010. Highly recommended. And if there’s a workshop in SW France, I’ll be there. I’m here already!
    happy sketching,
    Carmel MacIntyre

  2. lindsay Says:

    Thanks for posting this interview. I purchased her book a month ago.
    I love her approach and relaxed attitude.
    ALso, Happy Birthday!!!!!!!!!

  3. Deborah Says:

    Martha, a wonderful interview with Mari. She is a great workshop leader, artist, mentor and friend. I have been on two trips with Mari and am planning Mexico and another Pacific Northwest soon. Thanks for sharing Mari and her book with all of us.

  4. Claudia Says:

    Thank you for this blog entry; the interview was interesting to read; 5 years ago when my mother visited Brittany, she came back with a book of Mari Le Glatin-Keis: “Carnets de Bretagne”. She gave it to me and I love it; it is very beautiful and I can only recommend it.

  5. Nancy Says:

    I always enjoy your reviews, and especially liked this interview. I see that I’ll have to buy the book. Sigh.

  6. Eddie Dickey Says:

    Great Interview!

  7. odile cadiou Says:

    I am thrilled, my dear friend Aurore had discover your Art, i enjoyed, admired Mrs Mari-le glatin-keis. i just came back from a visit de morlaix, roscoff, perros-guirec ……i’m ready to put on paper ….la bretagne is so full of beauties …merci Mari-le glatin ..kenavo and a bientot .odile las vegas nevada -nov 30th 11.22 pm

  8. josé louro Says:

    Hi Martha
    Thanks for the visit.
    Great blog you got here.
    Full of things that interest anybody care to know.
    See you tomorrow.

  9. Shirley Says:

    I just bought and read the book in two sittings, I was so anxious to absorb it all. Thanks for the interview – I too would love to take a workshop with her. Maybe she would consider a Central Park and Museum workshop for locals in NYC!

  10. TeriC Says:

    This is such a wonderful, personal interview. I have read her book and loved the book and your interview touched on all the things I would like to know. Thank you.

  11. martha Says:

    Casey, Aurore, Ronell: Thank you!

    Aurore: I believe the sketchbook is the smallest of the “Artist Sketchbook” listed here:

    It’s just a garden variety spiral bound sketchbook. Mari does not take stock in fancy tools – whatever is at hand is her preference!

  12. Africantapestry Says:

    Thank you so much for this interview MArtha, it was a delight reading it. She sounds like a very interesting person!

  13. Aurore Says:

    Thank you for the interview. I have a dear friend, who is also an artist, that was born in Brittany and I sent her a link to this interview as I know she will be delighted in reading it as I am.

    Where does one obain the Pentalic sketchbook. I have searched on the internet and can’t find anything like it.

  14. Casey Says:

    This is a wonderful interview, Martha – thank you for posting it.

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